I, ...Eve

2022–2023

Wearable Sculpture Series
 

Mixed media, PLA, phosphorescent elements, and experimental materials
 

This series was developed within the atmosphere of social unrest surrounding the “Woman, Life, Freedom” movement an exploration of suppressed transformation, collective tension, and the silent accumulation of unresolved voices beneath the surface of society.
 

At the center of the works appears a pregnant figure: a body carrying a form of awareness, resistance, and embodied protest, transformed into a vessel for hidden possibilities and the emergence of new forms of existence. Simultaneously fragile and resilient, vulnerable yet generative, the figure exists in a suspended state between tension and becoming.

Embedded within the translucent volume are luminous scissor like elements living, glowing forms that evoke the possibility of radical transformation. Rather than functioning as direct symbols, these elements operate as traces of rupture, memory, and latent defiance; persistent lights that continue to survive within darkness.
 

Alongside this figure stands another presence inspired by the visual structure of the peacock tail: an ambiguous and protective entity oscillating between seduction, vigilance, and confrontation. Together, these two figures embody intertwined psychological forces anima and animus, tenderness and resistance, intimacy and unrest.

Suspended within a dreamlike landscape between nature and hallucination, the series investigates how the body absorbs social and emotional tensions, transforming them into mythological, biological, and affective imagery.
 

Through biomorphic forms, dim luminosity, and performative embodiment, the works explore themes of transformation, vulnerability, collective memory, and metamorphosis emerging from conditions of suppression and instability.